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<title>Gene D. Phillips - Free Library Land Online - Thriller</title>
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<title>Some Like It Wilder</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/gene-d-phillips/some_like_it_wilder.jpg"><img src="https://picture.graycity.net/img/gene-d-phillips/some_like_it_wilder_preview.jpg" class="fr-fic fr-dib" title ="Some Like It Wilder" alt ="Some Like It Wilder"/></a><br//>One of the most accomplished writers and directors of classic Hollywood, Billy Wilder (1906&#8212;2002) directed numerous acclaimed films, including Sunset Boulevard (1950), Sabrina (1954), The Seven Year Itch (1955), Witness for the Prosecution (1957), and Some Like It Hot (1959). Featuring Gene D. Phillips's unique, in-depth critical approach, Some Like It Wilder: The Life and Controversial Films of Billy Wilder provides a groundbreaking overview of a filmmaking icon. Wilder began his career as a screenwriter in Berlin but, because of his Jewish heritage, sought refuge in America when Germany came under Nazi control. Making fast connections in Hollywood, Wilder immediately made the jump from screenwriter to director. His classic films Five Graves to Cairo (1943), Double Indemnity (1945), and The Lost Weekend (1945) earned Academy Awards for best picture, director, and screenplay. During the 1960s, Wilder continued to direct and produce controversial comedies, including Kiss...]]></description>
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<pubDate>Tue, 16 Nov 2010 16:09:26 +0200</pubDate>
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<title>Godfather</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/gene-d-phillips/godfather.jpg"><img src="https://picture.graycity.net/img/gene-d-phillips/godfather_preview.jpg" class="fr-fic fr-dib" title ="Godfather" alt ="Godfather"/></a><br//>WITH A FOREWORD BY WALTER MURCH Gene Phillips blends biography, studio history, and film criticism to complete the most comprehensive work on Coppola ever written. The force behind such popular and critically acclaimed films as Apocalypse Now and the Godfather trilogy, Coppola has imprinted his distinct style on each of his movies and on the landscape of American popular culture. In Godfather, Phillips argues that Coppola has repeatedly bucked the Hollywood "factory system" in an attempt to create distinct films that reflect his own artistic vision &#8212; often to the detriment of his career and finances. Phillips conducted interviews with the director and his colleagues and examined Coppola's production journals and screenplays. Phillips also reviewed rare copies of Coppola's student films, his early excursions into soft-core pornography, and his less celebrated productions such as One from the Heart and Tucker: The Man and His Dream. The result is the definitive assessment...]]></description>
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<pubDate>Sat, 16 Nov 2002 16:09:26 +0200</pubDate>
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